Do Not Trace, Draw!

  • Ana Hušman , Dubravka Sekulić
  • Experimental
  • Art
  • 2020
  • 20:21
  • Short length

Synopsis

The Pioneer City was the product of both political and societal necessity — and it built and was built with the idea that education has to leave the confines of the ‘school’ and enter the city, i.e. everyday life, and thus produce the ‘new’ human for the new socialist society. When in 1947 groups of voluntary youth brigades gathered on a hillside next to the stream, in the vicinity of Zagreb to build the Pioneer City, besides an architectural plan for a city dedicated to education of the youngest population, little else was certain about what that space would actually be. However, one thing was well understood — it was to be a site of education from the moment the first shovel hit the ground, and it was an experimental school, a laboratory for the pedagogical reform in progress from 1951 to 1961. Layering the fragments of recollections by Jelena Hušman and a history lesson with a historian Sanja Petrović Todosijević over existing spaces, the film asks “what was experimental in the experimental school?” Through the film, authors stumble over the future as a concept which in the past was an inevitability and gave society and its approach to education a clear sense of direction, and which for them stands for uncertainty. The hope for a better future, progress, prosperity and certainty of the future which was foundational for the generation of Jelena Hušman had disappeared and was transferred through the uncertainty of our everyday lives to the non-existent future of new generations.

Directors

Ana Hušman

Ana Hušman’s practice disassembles the structures and textures of cinematic elements through film, installation, books, sound, image and text. Hušman experiments with the possibilities of animation, documentary and fictional cinematic methods, and the possibilities of the recorded voice and its articulation. Her working process questions and plays with the positions of the amateur and the professional subject of performativity, the medium itself, and the structures that dictate and produce patterns of behavior. She is a lecturer at the Department of Animation and New Media at the Academy of Fine Art in Zagreb, cofounder of the documentary film organization RESTART where she has been holding film education programs for children and young people for many years.

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Dubravka Sekulić

  • Year

  • 2020

Production contact

Studio Pangolin

Mlinarska 21, 10000 Zagreb, Hrvatska

www.pangolin.hr

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  • Year

  • 2020

Production contact

Studio Pangolin

Mlinarska 21, 10000 Zagreb, Hrvatska

www.pangolin.hr